Music From Josh Wink and The Orb Features in New London Rave Play

This exciting piece of work looks back at the early days of rave and its political ramifications

By The Cultural Exposé

The premise of Beats, written and performed by Kieran Hurley, may sound like any music lovers dystopian nightmare dreamt up by one of our much loved sci-fi writers (a la Margaret Atwood or Kazuo Ishiguro) – but it is in fact based on real legislation passed in 1994 under John Major’s Tory Government.

As a backlash against the free Castlemorton Common Festival of 1992, the Tories developed the Criminal Justice and Public Order Act 1994. Among other things, the legislation made criminal acts out of collective trespassing and nuisance on land and included sections against raves and ‘repetitive’ beats. Born at out of an unfounded moral panic by a Government who were suspicious of alternative communities, it sought to criminalise a non-threatening act, like playing music of a certain tempo in public.

Kieran Hurley’s nearly-one-man show takes a look at this moment in history in the form of a coming of age tale. It follows teenager Johnno McCreadie on a one night journey into a world of violence, oppression and lots of pounding techno music. For those who can remember first time round, it will no doubt be a trip down memory lane, but whether you were there or not, it will certainly get you in the mood for a party.

The show features classic tracks from Josh Wink and the Orb, among other. The play won one of the Platform 18 Awards at the Arches BEHAVIOURS festival and has already had a sell-out run in the Bush Theatre, so it’s a worthy venture this month.

Beats is on at the Albany Theatre, Deptford on November 26. For more info visit:

Words: Laura Thornley